You paid for the space. Make the space work.
We design and build exhibition spaces around what needs to happen inside them: attention, product, conversations, demonstrations, leads and meetings — plus the practical detail between the render and opening morning.
Already have the floor plan or exhibitor manual? See how →
What does the stand need to do?







Trusted with stands that had to be standing.
Show dates do not move. These are stands that had to be finished, branded and staffed by the time the doors opened.
Pick a name. We’ll show you what happened.

An exhibition stand designed and built by Red Giant.
This is Red Giant.
The render is nice. The live stand is the test.
















People are already walking. Give the right ones a reason to stop.
Nobody arrives at a show hoping to read a wall. They are scanning at walking pace, deciding in about a second and a half whether this is for them.
The booth is not the outcome.
What does this space need to do?
I already know the stand+

What we would bias towardA programme direction, not a fixed catalogue. We propose specific formats once we know the team, the venue and the day.
Three things decide whether the space works.
Sightlines, neighbours and the approach decide what a visitor sees before they see your brand. A beautiful wall can also be a beautiful barrier. One idea readable at three metres beats six messages readable at one.
The product should be visible, reachable and protected — in that order. Zone only for what you actually need. And the stand can stop them, but somebody still has to talk to them: booth staff are part of the build, not a line added afterwards.
Not every badge scan is the same lead. Capture that distinguishes a real conversation from a passing scan is worth more than volume. And dismantle, storage and reuse are part of the project — you should not buy the same booth five times.

Everything underneath the stand+
Thirteen categories — floor plan and open sides, stand design, graphics, AV and power, demos and product, furniture and meetings, storage, staffing, lead capture and follow-up, venue access and show rules, installation and dismantling, measurement, and reuse. The full system, open when you want it.
Floor plan & open sides
Which direction people arrive from, what the neighbouring stands are doing, pillars, aisle width, permitted height, hanging signs where allowed, screen and product height, and where light falls.
This is why the floor plan matters more than a mood board.
Every square metre needs a job.
Sales wants a meeting room. Marketing wants the product wall. Brand wants a big visual. Operations needs storage. In 18 square metres you may not get all four.
We’d rather have that conversation at design stage than discover it during build.
Stand design
Possible patterns: walk-by, walk-in, stop-and-talk, demo loop, guided journey, meeting-led, sampling flow or multi-zone.
Nobody should be walked through a maze without a reason. And a stand only needs the zones its objective justifies.
Graphics
Message hierarchy does the work. At distance: who you are and roughly what you do. Closer: what’s actually here. At the threshold: why stop. Only after engagement: detail.
Most underperforming stands try to say all four at once, in the same size type, and end up saying none of them.
AV, power & connectivity
A screen is not mandatory. Decide what it’s for — attracting from distance, showing product, demonstrating software, playing video, supporting presentation, live data — then design content for no sound, short viewing and repetition. A twelve-minute corporate film on loop is not a stand strategy.
Lighting should favour product, people and graphics rather than lighting everything equally. Sound needs to work without starting a volume war with your neighbour. Power gets planned from the actual equipment schedule.
If the demo needs the internet, the internet is part of the stand.
Venue Wi-Fi is rarely adequate for anything business-critical. We’ll plan around what the venue genuinely provides rather than assume redundancy.
Demos & product
What actually has to be physically present — one hero product, multiple SKUs, equipment, samples, packaging, or nothing physical at all — then visibility, access, security, lighting, replenishment and who explains it.
The product should not disappear inside the booth design.
Worth answering early: how long does one demo take, how many can watch, does everyone need hands-on, how fast does it reset, and does the queue block the aisle?
Furniture & meetings
Serious conversations may need standing space, open seating, semi-private, fully private or a booked appointment room — and a meeting room consumes footprint, so it earns its place or it doesn’t go in.
Some stands are about existing relationships rather than footfall: comfortable seating, account meetings, scheduled VIP slots, product updates.
Hospitality should help the conversation. Not become the reason strangers eat lunch at your stand.
Storage
Brochures, bags, jackets, staff belongings, samples, back stock, gifts, cleaning supplies, spare equipment, water, packaging.
Designed in from the start, it’s invisible. Added later, it’s a pile of boxes behind a counter and a handbag on the product plinth — which is what visitors will actually remember.
Staffing
Roles that may be needed — rarely all of them, rarely separate people: greeter, qualifier, sales, product specialist, technical specialist, host, demo lead, lead capture.
For multi-day shows: breaks, lunch cover, peak-period staffing and VIP appointments, planned so the team isn’t exhausted by day two.
A stand briefing usually covers the objective, the ideal visitor, the key message, the product and demo, qualification criteria, how leads get captured, meeting bookings, the VIP and customer list, the daily schedule, who owns what and who to escalate to.
The rest is behavioural and unglamorous: don’t block the entrance, don’t huddle, don’t pounce, and know what the next action is before the conversation starts.
Lead capture & follow-up
Capture methods depend on the show and your policies: organiser badge scanner, a QR or tablet form, a tool your CRM team approves, business cards, meeting bookings — and a manual backup, because scanners fail.
Worth agreeing beforehand: what qualifies a lead, what they actually wanted, who owns follow-up and what happens next. A name and an email with no context becomes a spreadsheet nobody actions.
We don’t claim direct CRM integration, and data capture stays within your policies and the show’s.
Product photography, stand photography, demo clips, customer interviews where approved, leadership content and social clips — planned so capture doesn’t obstruct visitor flow.
Not every B2B exhibition needs a selfie wall. Some need a clean background, decent light and ten minutes of somebody’s time.
Free is not the same thing as useful. Engagement is not automatically a game.
Merchandise should have a job: memory, a reason to talk, an exchange for a lead, genuine utility, product trial or VIP appreciation. A spin-the-wheel attracts everyone, which is only good news if you wanted everyone.
Interactive elements — touchscreens, configurators, simulation, AR or VR — work when they support attention, learning or qualification, and are delivered with specialist partners where required.
Venue access & show rules
We design from your organiser’s actual documents. We don’t assume permitted height, and we don’t give regulatory advice — the exhibitor manual is the authority.
Graphics checked, lights aimed, screens running the right content, power tested, product placed, storage loaded, furniture positioned, lead capture working, stand cleaned and stock counted — before the walkthrough, not during it.
Opening morning is a terrible time to discover the screen doesn’t fit.
Installation & dismantling
Workshop production, loading, transport, contractor access, material handling, venue access windows, delivery slots, installation, waste, packing, dismantle and return.
A typical sequence, though shows differ: materials ready → load → venue access → structure → electrical → graphics → AV → product → clean → client walkthrough → show ready.
Product and stock removal, graphics, AV, structure, packing, waste, an asset inventory of what’s worth keeping, transport, and an honest assessment of what needs repair before it goes anywhere.
Strike planned properly is also what makes reuse possible later.
Measurement
Against the objective, using what is genuinely counted: visitors engaged, qualified leads, meetings scheduled or held, demonstrations run, samples distributed where counted, appointments, content captured, candidate conversations for recruitment stands.
We won’t invent ROI figures or awareness claims. Agreeing what counts before the show is what makes the numbers mean anything afterwards.
Before: objective, target visitor, appointments with existing customers, sales outreach, invitations, staff briefing, lead criteria, stock and show documents.
The best visitor may already have a time slot.
After: lead handover with context and an owner, sales follow-up, meeting follow-up, content, asset return and storage. The stand closes; the commercial work shouldn’t.
Reuse
Where suitable, verified Red Giant-owned prefabricated structures or event assets may form part of the working base, then be customised around the brand and the exhibition objective.
It’s a question we ask, not a discount we assume — and where reuse would compromise the stand’s job, we build.
Get an instant exhibition stand estimate.
Answer a few quick questions to see a very tentative planning cost, built from published Kenyan stand-build, print, flooring, hire, screen, staffing and transport rates. Every line shows its basis. Anything set by the exhibitor manual — organiser power and services, installation windows — stays to be confirmed and is excluded from the total.
Tell us the number and we will show you what we would protect, what we could simplify, and what still needs a conversation.
Not a formal quotation. Ask for a formal quote →
The part we could say ourselves, but it’s better coming from clients.

“They blend creativity and precision flawlessly. Our event was an unforgettable masterpiece, thanks to their innovative touch.”
Philip Barasa
“Their attention to detail and creativity in every aspect, from décor to audiovisuals, was flawless. What sets them apart is their ability to truly understand your vision.”
Anne Kibunya
“From start to finish, they flawlessly manage every detail. Highly recommend them for any event management needs.”
Collins Nyachoti
These are public Google reviews of Red Giant as a company. They are reproduced word for word and are not attributed to any specific exhibition stand on this page.
Send the floor plan. We’ll handle the floor.
Yes. The design intent, the brand and the approved graphics stay yours. Materials, local fabrication methods, organiser rules and installation get solved here, and where local reality forces a change we raise it rather than quietly making it.
Build progress, graphics proofs and installation can be documented as they happen, so the first time you see the stand is not opening morning.
Freighting a stand and building one locally are different costs and different risks. It is worth deciding deliberately rather than by default.
Delivery, storage and on-site receipt can sit with us. Import documentation and customs clearance remain with you or your local entity.
Before the brief.
Stand cost changes with size, build type, open sides, graphics, AV, furniture, staffing, logistics and the services you order from the organiser. The estimator above builds a tentative range from published Kenyan stand-build, print, flooring, hire, screen and transport rates, shows every line and its basis, and marks anything set by the exhibitor manual — organiser power and services, installation windows — as to be confirmed rather than guessing it.
Design, approvals with the organiser, fabrication, graphics, AV, furniture, installation, show-floor support and dismantle. Storage and refurbishment between shows can be included.
Shell scheme is the organiser’s standard booth structure. It can be improved with graphics, lighting, flooring, furniture and a clear product or demo focus without rebuilding the structure.
Yes. We work from your design intent and brand guidelines, adapt to local materials, organiser rules and the actual floor plan, and raise anything that would change the design rather than deciding it quietly.
Yes, and it is usually worth designing for. Build what needs to be unique and reuse what does not — storage and refurbishment between shows can be handled here.
They contain the rules the design has to obey: height limits, rigging, power, build times, open sides and neighbours. The best render in the world is useless if the organiser will not approve it.
Show us the space.
The show, the stand size and the floor plan are enough to start. Send the exhibitor manual if you have it.
Tell us about it.
No finished plan required.
No finished plan required
Got it. Your scope is with us — a Red Giant lead will come back to you on it.
Send the messy version. hey@redgiant.co.ke →
Whatever exists already — a deck, a floor plan, a spec, a date, or half the idea. Send what you have.
Build the scope first.
The estimator carries straight into this form. Start there →
- 1We receive your scope exactly as you built it.
- 2Red Giant reviews the commercial and operational requirements.
- 3We come back to confirm anything missing.
- 4You receive a formal quotation against that scope.
Show dates don’t move.
Send the floor plan and the objective. We will come back with a design direction and a real number.